IMSLP Forums

There's a possible inconsistency here. I see that Peter Warlock's works are listed under that name even though it's a pseudonym for Philip Heseltine (his birth name). He used Peter Warlock for his musical works and his birth name for his musical writings. Should there at least be a page for Heseltine?

This pair of piano arrangements was recently uploaded. The "Siciliano" is an arrangement (in G minor) of the Jig in D minor ZT 686, and the Hornpipe (also in G minor) is an arrangement of the Hornpipe in E minor ZT 685. Should this be moved to both work pages, or listed as a collection usi...

You can change it by moving the page to one with the correct title.

The work pages of George Dyson's 'Evening Service in D' (recently created) and 'Magnificat and Nunc Dimittis in D major' should be merged as this is the same work.

You can do this yourself by moving the whole page to a new page with the correct title. To avoid confusion with the other motet, you will have to make sure it is named slightly differently.

The key signatures are on the correct lines. The clef isn't the usual treble clef, it's a G clef on the bottom line of the staff. This is French violin clef as was frequently used in Telemann's day for wind instruments and was used in the manuscript. Perhaps you could use the Lilypond source files t...

This is a duplicate work page, probably because the recording has the incorrect title. I have copied the recording to the correct entry (In obitum … lamentum H 409) but could this page be deleted please.

edit the work page and change the file descriptions for each piece.

The page has been moved so the title is now correct.

You can move the file to a new title yourself.

They look like trill signs to me. The style seems very rustic.

It is online here: https://babel.hathitrust.org/cgi/pt?id= ... =1up&seq=7

Hi, I created a new page for an edition of this work and named it 'Antiphona in honorem beate Genovesae' which is the entry in the official Charpentier catalogue. However I see that this work is also listed under its initial text, 'Gloriosam Christi'. Apologies I didn't see it first, otherwise I wou...

While the aria was included in the 1867 vocal score, it was not sung in the first performances because it did not suit the singer's voice. Gounod authorised its removal and this is reflected in the 1876 orchestral score. At least five different vocal scores, all slightly different to reflect differe...

This notation is quite common in Baroque music when the violin player is playing a bass part. It was played an octave higher than notated.