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Clarification on Public Domain Status of Early 20th-Century Critical Editions (EU vs Canada Hosting)

Posted: Sat Feb 07, 2026 1:45 am
by hneidernigel
Hello everyone,

I am currently reviewing several early 20th-century critical editions of Romantic repertoire and would appreciate clarification regarding their public domain status in relation to IMSLP’s hosting policies. While the original composers are clearly public domain, some of the scholarly editors passed away after 1950, and I am unsure how this affects eligibility under Canadian law (life + 70) compared to EU jurisdictions.

Specifically, I would like to better understand how IMSLP evaluates the copyright status of editorial markings, critical commentary, and revised fingerings when determining whether a score can remain accessible globally. Are there best practices or internal guidelines contributors should consult before uploading similar editions?

Any insight from experienced contributors or moderators would be greatly appreciated, as I want to ensure full compliance with IMSLP standards and international copyright frameworks. Thank you in advance for your guidance.