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Pending Copyright Review [B]
Posted: Wed Sep 24, 2008 8:57 am
by Plattypus
Hiya, I was wondering if there was any particular order in which the reviews are being done? I realise there are over 1000, I just wondered if you were prioritising in any way.
Thanks very much
Posted: Sat Sep 27, 2008 11:59 pm
by Peter
In short: no
Or actually, at least in my case, the ones that have easy identifiable information go first, most of the times I'm too lazy for the hard ones.
Posted: Sun Sep 28, 2008 4:56 pm
by ashaam
and why are roussel's works still blocked?
Posted: Tue Sep 30, 2008 10:17 pm
by pml
Many of Roussel's works were first published after 1923, so they fall foul of the US' 95 year copyright. A quick sampling of some of the works showed most of the copyright tags that imposed a block were because of non-PD status in the US - regards, Philip
Scott Joplin?
Posted: Sat Oct 25, 2008 1:36 am
by Quarknugget
I think just about all of the Joplin rags are under review. Were these published after 1923? Because on other websites I heard that most of his works are in the public domain. I really want them up!
Posted: Sat Oct 25, 2008 5:51 am
by Carolus
We just haven't gotten to that particular section yet. Actually, I did clear a few not too long ago.
Posted: Sat Oct 25, 2008 5:04 pm
by Melodia
As far as I know, all of Joplin's music is PD except for Silver Swan Rag.
Actually I was wondering, does the system actually check somehow where you are, or are ones that say, for instance, V/25/V still locked out for everyone?
Posted: Sat Oct 25, 2008 9:05 pm
by vinteuil
I think It blocks it for everyone - I asked about an IP adress recognition system a while ago - that would cut down on legal liability as well as making things more accessible (and maybe the Canadian Urtext law could be used then too - free urtexts (not for me though...)!)
Posted: Sun Oct 26, 2008 8:38 am
by Leonard Vertighel
IP address based geolocation has been discussed over and over in the forums. I suggest that you do a search. In short, if IMSLP was responsible for the enforcement of the copyright laws of every user's country, if would mean having to keep track of the copyright laws of some 200 sovereign countries in the world, a task which is perfectly impossible without a huge team of legal experts. Besides, geolocation is
absolutely trivial to circumvent.
Posted: Sun Oct 26, 2008 7:47 pm
by Carolus
Leonard is 100% correct. The only way IMSLP would be able to afford a law firm to keep track of 200 constantly changing copyright laws around the world, plus the considerable expense of software capable of such filtering, would be if we charged money for each download.
That's not going to happen, since the whole purpose of this endeavor is to make the scores available at no charge.
Back to the Joplin scores, they've all been reviewed and approved.