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vinteuil
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by vinteuil » Sun Dec 07, 2008 2:28 pm
It would be nice to have these scores available. Also, the website from which they come might have more...
j077y_r0g3r
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by j077y_r0g3r » Sun Dec 07, 2008 9:31 pm
what gloria by vivaldi? RV 589 or RV 588 ?
j077y_r0g3r
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by j077y_r0g3r » Sun Dec 07, 2008 9:38 pm
probably the 589. Its more famous.
2 scores of that one in the cpdl.org archive
vinteuil
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by vinteuil » Sun Dec 07, 2008 9:41 pm
Well, we only have one of them...
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by j077y_r0g3r » Sun Dec 07, 2008 9:42 pm
but maybe it's better to buy an urtext version...30 bucks but a looooot more correct!
vinteuil
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by vinteuil » Sun Dec 07, 2008 9:51 pm
How do you know what the score looks like. It's blocked.
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by vinteuil » Sun Dec 07, 2008 9:52 pm
And that a looot is a huge exagerration. Oftentimes, the only difference is lack of fingerings/editorial additions, which are nice to have.
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by j077y_r0g3r » Sun Dec 07, 2008 10:51 pm
sorry man, I can't understand. What's a huge exageration? What is blocked?
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by j077y_r0g3r » Sun Dec 07, 2008 10:59 pm
I usually work with anastatic reprints, and trust me, there are a lot of people who think to be better than the composer and when they copy from the manuscript thery correct those that they think are mistakes...or they are not able to understand the notes written in a bad way....or simply they are not musicians but only people payed to copy...or they just copy from another modern edition!
its difficult enough to play philologically, so I think that more close to the original means less errors...
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by j077y_r0g3r » Sun Dec 07, 2008 11:00 pm
I looked at the score in the cpdl.org archive.... not the imslp one
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by vinteuil » Mon Dec 08, 2008 1:46 am
How do you know?
I know becasue of the sections - and there's a website address in misc. notes.